Thoughts on first contact

Artist Chris Pease (1969)

Printer Australian Print Workshop Inc (Australian)

Date2006

Object number00045079

NameLithograph

MediumPaper (Velin Arches 250gsm), ink

DimensionsOverall: 560 x 760 mm

ClassificationsArt

Credit LineAustralian National Maritime Museum Collection Gift from the Embassy of the Kingdom of the Netherlands

Terms

DescriptionThis black and blue lithograph depicts a southern giant petrel and a humpback whale, both found in Nyoongar country. The whale skeleton is presented in the form of a ship's wooden hull, surrounded by various mechanical designs and sketches of birds. Artist's statement: 'I thought of the Dutch vessels and the idea of the wooden hulls containing and protecting the sailors from the harsh environment outside. The hull, and in particular the ribs of a ship, protect the lives within, just as the ribs of an animal protect its organs. Dutch ship-building during the seventeenth century was in its prime. In contrast to this technology, the ships sailed into primeval territory. In 1621 the Leeuwin came into contact with Nyoongar boodja (land), home to the humpback whale, the southern giant petrel and of course the Nyoongar people. My research into the Dutch voyages has parallels with much of the research I have undertaken on my own people; the gathering together of pieces of information to construct a complete picture.' This print is one of 10 in the DUYFKEN Aboriginal Print Portfolio and is presented as a boxed set. The series was launched in Sydney on 28 October 2006 by Their Royal Highnesses Crown Prince Willem-Alexander and Princess Maxima of the Kingdom of the Netherlands.HistoryIn 1606, Willem Janszoon commanded the DUYFKEN in Australia's northern waters, searching for proof that the country would be a good trading partner with the vast VOC - Dutch United East India Company. The west coast of Cape York Peninsula became the first documented landing of Europeans on the Australian mainland, although Janszoon concluded that there would be little prospect of trade. This print is part of the DUYFKEN Aboriginal Print Portfolio, a collaboration between the Embassy of the Kingdom of the Netherlands and the Australian Print Workshop (APW) in Fitzroy, Melbourne. In July 2006, ten of Australia's talented and emerging Indigenous artists were brought to Melbourne to take part in APW's printmaking workshop. The theme of the portfolio is 'first encounters' and the title takes its name from the first Dutch ship to land on Australian shores. The artists were chosen to represent the regions visited by the Dutch to produce a permanent record of the 400 years of Dutch contact with Australia. These regions include Melville Island, Arnhem Land, Cape York, Western Australia and Tasmania. Techniques used include photo-lithograph, linocut and hard-ground etchings The portfolio was sponsored by Forbo Flooring, Rabobank Australia, Rio Tinto Aluminium and Wesfarmers Arts and is limited to 50 numbered copies plus five artist's proofs, two APW proofs and two Presentation proofs.SignificanceThis print, along with the complete DUYFKEN Aboriginal Print Portfolio, is an important representation of Indigenous reactions to the first documented landing of Europeans on the Australian mainland; 400 years on, this portfolio was produced to commemorate the enduring maritime link between the Netherlands and Australia. The artists were selected from a variety of regions that had early interactions with the Dutch, in order to acknowledge the varying experiences Aboriginal peoples of Australia had of early European contact.