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Chapman family aboard the ORMONDE
Chapman family aboard the ORMONDE

Chapman family aboard the ORMONDE

Publisher
Date1947
Object numberANMS1453[062]
NamePhotograph
Mediumphotographic print on paper
DimensionsOverall: 215 × 160 mm
ClassificationsPhotographs
Credit LineAustralian National Maritime Museum Collection
DescriptionBlack and white image of Chapmans and their small son Glynn aboard the ORMONDE. The Chapmans, from Sheffield were immigrating to New South Wales, Australia. A newspaper clipping attached to the back of the photograph reads ‘New Australians. Mr S. Chapman, formerly of Frecheville, Sheffield, photographed here with his wife and 19th months old son Glynn, is a carpenter member of a party of British builders, who are being brought out to Australia on the ORMONDE by Mr. W.J. Ritchie, of Sheffield. The Chapmans, who do not know anybody in Australia, will settle at Herne Bay.’ HistorySince the first Fleet dropped anchor in 1788, more than 10 million people have moved from across the world to start a new life in Australia, arriving in waves, encouraged by the 1850s gold rushes or to escape adverse conditions at home in the social upheavals of C19th Britain's industrial revolution, the turmoil of revolution, two world wars, the aftermath of the Vietnam war in the 1970s and more recent conflicts. With the catchphrase 'populate or perish' ringing through the community, Australia stepped up its immigration in the years after WWII, offering assisted passage to British migrants, encouraging migration from European countries, and finally in the 1970s repealing the restrictive white Australia policy framed after federation in 1901. More than seven million new settlers have now crossed Australia's shores since 1945 and it's estimated that one in four of Australia's population was born overseas.SignificanceThis image is one of a series of photographs taken by Fairfax photographers that provides a unique window into how immigrants were viewed and immigration policy articulated in the popular press in Australia. They represent something of the personal face to Australia's massive post-war immigration push and show immigrants from many European nations, USA and China.