A man in a hamburger joint at Circular Quay after a day shift on the UKI
Artist
Clem Millward
(Australian, born 1929)
Date1956-1957
Object number00017821
NameLinocut
MediumLino block print on paper
DimensionsOverall: 215 x 139 mm, 0.007 kg
ClassificationsArt
Credit LineANMM Collection
DescriptionPrint by Clem Millward titled 'A man in a hamburger joint at Circular Quay after a day shift on the UKI, one of the little ships from the Northern Rivers milk run, which always berthed near the Bennelong Point tram sheds'.
The image depicts a man's head in profile.
The print number '11/35' appears lower left corner of sheet and is taken from "Old Waterfront Faces. A limited edition of eleven lino block prints made in the Waterside Workers' Federation rooms by Clem Millward 1956-1957."HistoryOld Waterfront Faces. A limited edition of eleven lino block prints made in the Waterside Workers' Federation rooms by Clem Millward 1956-1957. These prints show characterisations of waterside workers in the mid 1950s. They were produced by Clem Millward, a professionally trained artist who worked on Sydney's waterfront from 1956 to 1962.
During the 1950s, painting, printmaking and film production were pursued by some waterside workers through the Waterside Workers' Federation. Clem Millward painted and produced prints in the Waterside Workers' Federation's rooms in Sydney. He worked with other waterside workers on projects such as the union's mural (Now in the NMC).
This portfolio of eleven prints were produced in the Waterside Workers' Federation rooms in 1956-57 are based on drawings done around the waterfront. Clem Millward carried a pocket-sized pad and pencil while at work, making unobserved sketches on the job during 'smokos' and rain periods, on the Erskine Street tram and in hamburger cafes around the waterfront. On days when Clem was on "appearance money" or night shifts he used the daylight hours to redraw the sketches on linoleum, cut the blocks and print them on an old screwdown letter press in the studio above the union rooms. He never knew the names of these men.
On Harry Stein's instigation Clem collated the prints into 35 sets to sell them in conjunction with the Waterside Workers' exhibition 'Artists and Rebels on the Waterfront' which opened on 3 July 1992 at the Sydney Branch of the Waterside Workers' Federation.
Significance'These faces from "The Hungry Mile" belong to survivors of that generation which experienced the horrors of Gallipoli and Flanders; and could not talk about them; which endured the hardships and humiliations of the 1930s and could not forget them'.
Clem Millward, June 1992