Lutumba
Date1998
Object number00033819
NameBark painting
MediumNatural pigments on bark
DimensionsOverall: 1730 × 740 mm, 4.4 kg
Copyright© Minyipa Mununggurr
ClassificationsArt
Credit LineANMM Collection Purchased with the assistance of Stephen Grant of the GrantPirrie Gallery
DescriptionThis painting portrays icons that are linked to the mythology and mortuary rituals of the Djapu clan and their country of Lutumba. At the centre of the painting a black rectangle represents the sacred sandbar where Mäna the ancestral shark basked. The white circular shape indicating the entrance to his domain. This painting also depicts four turtles, mamarika (driftwood), the sacred rock Nitjurra (or Yimyula) the pelican, Galumay, Milka the moonfish and Warrawda the milkfish.HistoryThe Yolŋu people of Arnhem Land inhabit a landscape that was formed by the actions of ancestral beings, who can take both human and animal form. For instance water now flows where these creatures walked and hills have formed where they died. Ancestral time is not just in the past but also the present and future. In light of this the sacred landscape and stories of East Arnhem Land are central to the Yolŋu people’s way of life and prominent themes in their bark paintings.
The Saltwater Project began in 1996 when an illegal fishing camp was discovered at Garranali, a sacred Aboriginal site in East Arnhem Land. This sacred area is home to the ancestral crocodile Bäru and found among the litter of the illegal camp was the severed head of a crocodile. This discovery prompted the local Yolŋu people to produce a series of bark paintings that expressed the rules, philosophies and stories of their region. The project culminated in the production of 80 barks and allowed the Indigenous community to educate others about the social history, geography and personal stories of their traditional homeland. They stressed the importance of Yolŋu land ownership, laws and codes of behaviour for those who interacted with the landscape and sacred Indigenous places.
The Yolŋu have been involved in the land rights struggle since the 1960s. They currently are recognised as the traditional owners of northeast Arnhem Land under the Aboriginal Land Rights Act. This act was passed in the Northern Territory in 1976 and is seen as the benchmark in the recognition of Aboriginal land ownership in Australia. Despite this the issues of Indigenous land ownership, rights, customs and law continue to be contentious in the Australian legal system and wider community.SignificanceThis painting represents the people belonging to the Dhuwa moiety of the Djapu clan in the homeland of Wandawuy. It is one of 80 barks that were painted by the traditional Yolŋu (people) of East Arnhem Land in an effort to raise awareness of their laws, traditions and ownership in the region.
