Civilised #8

Maker Michael Cook (1968)

Date2012

Object number00054881

NamePhotograph

MediumInkjet print on paper

DimensionsOverall: 1208 × 1080 mm
Image: 990 × 865 mm
Mount / Matt size: 1312 × 1156 mm

ClassificationsArt

Credit LineANMM Collection

Collections

Under Southern Skies - navigation and voyaging

Terms

DescriptionAn inkjet print on paper by Michael Cook titled 'Civilised #8' depicting an Indigenous man wearing ornate, historical Europe style clothing. He stands alone on a beach holding a white masquerade mask in his left hand. Behind him and half submerged in the surf, is a white rug with a golden cross pattern. The accompanying text reads: "They seemed to doubt that we were the same species as them; our colour was so strange that they could not stop staring and inspecting." - Saint Jean Roux an ensign on Le Mascarin, a French ship captained by Marc-Joseph Marion du Fresne, which visited Tasmania in 1772 HistoryARTIST'S STATEMENT "I was never taught Aboriginal history at school, only about European settlement of Australia. What I learnt in school was similar to the first European settlers' beliefs, with words like 'natives' and 'discovery of Australia'. Looking back now, I realise that it was a false way of teaching, and that it hid the truth about the treatment of Aborigines over the past four hundred years. Captain Cook wrote "these people may truly be said to be in the pure state of nature, and may appear to some to be the most wretched upon the earth; but in reality they are far happier than ... we Europeans." What was the colonisers' view of what it means to be civilised, and would a better understanding of Aboriginal cultures have made a difference to our history? Was being civilised about fashion, speech, cultivating the land, having Christian beliefs, or was it to do with the colour of someone's skin or how they appeared? Upon the European discovery of Australia, Aborigines were seen as 'natives'—part of the flora and fauna. European settlers were not interested in understanding new cultures, or how Aborigines lived in harmony with the land—only that their way of life was superior. Even today, Aboriginal people are still suffering because these beliefs still exist amongst some non-Indigenous Australians. Even today, in a so-called 'modern' society, racism is rife." This body of work by Michael Cook dresses Aboriginal Australians in the fashions of four European countries that visited Australia before and in the early stages of colonialisation: Spain, The Netherlands, England and France. It asks 'what makes a person civilised?' and suggests how different history might have been if those Europeans had realised that the Aborigines were indeed civilised. For Aboriginal Australians were certainly civilised, as James Cook appreciated. The harmony with the land that had existed for tens of thousands of years was precious, in perfect balance, and in the last 400 years, some of these lessons could have been considered more thoughtfully. SignificanceMichael Cook portrays a mixture of historical fact and fiction in a series of photographs titled 'Civilized'. Through these images he advances a parade of an unrealised scenarios from colonial times, presenting illusory narratives from Australia’s colonial past which are filled with supposition and conjecture.