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Chanov Valintina and her children in Sydney

Publisher Fairfax Publications, Sydney Morning Herald

Date29 March 1961

Object numberANMS1453[101]

NamePhotograph

Mediumphotographic print on paper

DimensionsOverall: 253 × 203 mm

ClassificationsPhotographs

Credit LineAustralian National Maritime Museum Collection

Terms

DescriptionA black and white photograph of Mrs Chanov Valintina and her six children arriving in Sydney from Machuria aboard the TJWANGI. Attached label on the reverse reads "‘Migrants’, TJIWANGI arrivals’ and ‘Mrs Chanov Valintina and family who left Singian, Machuria, where they were on a collective farm. They have been brought on by the United Nations Refugee Organization. Children are L to R: Olga, 11, Maria, 7, Galina, 4, Baby Alexander, Leon T II, 14, Michael, 12. 8.3’ handwritten on the back of the photograph. Stamp at the back of the photograph reads ‘29 Mar 1961’. HistorySince the first Fleet dropped anchor in 1788, more than 10 million people have moved from across the world to start a new life in Australia, arriving in waves, encouraged by the 1850s gold rushes or to escape adverse conditions at home in the social upheavals of C19th Britain's industrial revolution, the turmoil of revolution, two world wars, the aftermath of the Vietnam war in the 1970s and more recent conflicts. With the catchphrase 'populate or perish' ringing through the community, Australia stepped up its immigration in the years after WWII, offering assisted passage to British migrants, encouraging migration from European countries, and finally in the 1970s repealing the restrictive white Australia policy framed after federation in 1901. More than seven million new settlers have now crossed Australia's shores since 1945 and it's estimated that one in four of Australia's population was born overseas.SignificanceThis image is one of a series of photographs taken by Fairfax photographers that provides a unique window into how immigrants were viewed and immigration policy articulated in the popular press in Australia. They represent something of the personal face to Australia's massive post-war immigration push and show immigrants from many European nations, USA and China.