Thomas Watling
In July 1791 Watling was one of 410 convicts who sailed in the PITT for New South Wales. He escaped at Cape Town, but was soon arrested by the Dutch, imprisoned and taken aboard the ROYAL ADMIRAL, in which he reached Sydney on 7 October 1792. He appears to have been assigned almost immediately to the surgeon-general, John White, an ardent naturalist, who made extensive use of his artistic skill.
When White left the colony in December 1794 it is thought that Watling may have been assigned to the judge-advocate, David Collins. There is positive evidence that at least some of the plates in Collins's 'An Account of the English Colony in New South Wales' (London, 1798-1802) were taken from original sketches by Watling.
Watling's prospects improved with the arrival of Governor John Hunter, himself an enthusiastic and able artist. Within a year, in September 1796 Watling was given a conditional pardon and on 5 April 1797 it was made absolute. While in the colony Watling had a son, presumably by a convict woman, and when he left Sydney he took the child with him. From 1801 to 1803 he lived in Calcutta, earning a precarious living as a miniature painter. He returned to Scotland and on 10 January 1806 was tried at Edinburgh for a series of forgeries allegedly committed at Dumfries between November 1804 and March 1805. He was discharged on a verdict of 'not proven'. Later he moved with his son to London where, in indigent circumstances and suffering from cancer of the left breast, he applied to Hunter, now an admiral, for help and received some assistance from members of the Royal Academy. Neither the date nor place of his death are known.
The Mitchell and Dixson Libraries (State Library of New South Wales), Sydney, have a few examples of his work, but most of that known to have survived is in the so-called Watling Collection in the zoological library of the British Museum (Natural History). This collection, apparently made about Port Jackson between 1788 and 1794, comprises 512 drawings by various artists, of which 123 are signed by Watling and at least another 20 are clearly his work. His contributions include landscapes, studies of Aboriginals and a great number of natural history drawings. Many of these are extensively annotated in John White's hand and there seems little doubt that it was he who gathered the collection and took it to England.
(Source http://adbonline.anu.edu.au/biogs/A020524b.htm)
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