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Image Not Available for Sailing
Sailing
Image Not Available for Sailing

Sailing

Maker (Australian, 1879 - 1968)
Date1930-1938
Object number00008414
NameEtching
MediumEtching on paper
DimensionsOverall: 450 x 495 x 19 mm, 1.95 kg
Sight: 196 x 264 mm
ClassificationsArt
Credit LineANMM Collection
DescriptionAn etching by Edward (Ernest) Warner of 18-foot skiffs racing. Attention is focused on one skiff in the foreground, this skiff leads the field with its spinnaker strained by the force of the wind, it is carrying a huge amount of sail and its hull disappears under their volume. Signed 'E. Warner' at the lower right corner in pencil, print number and title '41-60 Sailing' written on lower left corner.HistoryBorn in London 27 May 1879, Alfred Edward Warner, ‘Teddy’ to friends, studied printing and commercial art at a local Polytechnic college. He learnt the techniques of stone lithography, woodcut printing, etching, airbrush techniques and scraperboard. By the time he married he ran his own commercial studio in London. In 1911 he travelled to Australia with his in-laws. Finding employment opportunities difficult, he moved to Auckland, New Zealand where he was head of job-printing at ‘The Star’. It was at this time he made his first etchings. Returning to Australia in about 1919, he worked as a commercial artist. In c.1922 he once more began etching and exhibiting, earning a considerable reputation for his work. In 1930 his daughter began to help in the studio preparing plates and printing and in 1936 he was joined by his son, who printed many works. In the mid 1930s Alfred Warner and his wife travelled in a caravan around NSW and Victoria collecting material for his prints. In the late 1930s he produced a series of colour linocuts. Designed by Alfred they were cut by his daughter and printed by his son - hence the signature, ‘The Warners’. During the depression years Warner also produced popular etchings under the pseudonyms C. JACK, C. J. DODD, BRUETON, G. MARLER and G. MARTIN. Some of these were printed from electrotypes in large editions (300-400). There were also a range of unsigned cards. Warner also produced screenprints towards the end of the 1930s, having taught himself form American magazines. He specialised in producing photographic stencils and also sold screenprinting equipment that he designed and made. He does not seem to have made any relief prints and only a few etchings after 1938. Warner died in 1968.